MLG Demo
Studio
Live, 2001
Live, 2013
"We are a little odd, and we've always appealed to the odd out there, the odd in the world. Our fans and the people like ourselves are a squad that maybe didn't quite feel right hanging out with others. We're a little awkward, a little nerdy, a little different. We found each other and it became a gang. And it's a pretty big gang now." D. Gahan, 2017
Heroes (Highline Sessions Version) by Depeche Mode on VEVO.
Heroes podcast - interesting correlations between DM and Bowie ensue.
Guitar effects from Robert Fripp
Ran into this song analysis, which cracked me up. Source: http://www.inthe80s.com/whatya.shtml
In analyzing this song, one must first focus on the two essential protagonists. Firstly there is a young women originating in a sparsely populated region of inhabitance. Secondly we turn our attention to a young man who was conceived and brought up in the southern region of the Michigan city, Detroit. Simultaneously our two protagonists boarded a locomotive as one day turned into another (incidentally neither party had any requirements as to where the locomotive was destined). At a later time (unspecified) the listener is thrust into a scenario already in progress whence a musical artist has been singing in a joint. Coincidentally, said joint was teeming with the byproduct of cigarettes. Additionally contained in the aforementioned room were both an olfaction of fermented grape product and economically depreciated fragrance for the feminine body. At this time, the two previously introduced central characters exchange similar facial expressions signifying happiness; thus leading one to deduce that the pair could have sexual intercourse in the evening. The story proceeds to allude to the awe-inspiring length of this particular night. These two newly acquainted people, anticipating an unknown event, are both traipsing back and forth along a broad avenue (said street having areas at the sides and center for trees, grass, and flowers). Their respective penumbras probe amongst the electric lamps which luminate the boulevard and the surrounding human beings (after the sun had previously receded). Our protagonists exist solely in the search for an affective state of consciousness in which joy, sorrow, fear, hate, or the like, is experienced, as distinguished from cognitive and volitional states of consciousness. The two veil themselves in the witching hour. In conclusion it is evident that one should never cease to have confidence in the truth, the existence, or the reliability of something, even without absolute proof that one is right in doing so. One must cling to one's emotional perceptions or attitudes.
So lie to me Like they do it in the factory Make me think That at the end of the day Some great reward Will be coming my way
The comfort of a knowledge of a rise above the sky above could Never parallel the challenge of an acquisition in the here and now.
For a course at MCAD, Typography Bootcamp, I chose as one of my final projects, to perform a historical comparison of Microgramma and Eurostile.
After researching these two fonts, I realized how much I've seen them throughout my life, in technology, literature, and media. Here are some samples
Episode 01-01: Identified
Episode 01-12: Computer Affair
Today, while researching the shape of the 4:3 CRT, which seems to have come down from Telefunken, I learned about the Rollkugel (1968), which I had never heard of before. The German mouse isn't even mentioned in Malcolm Goldwell's history of the mouse.
| 20150216 | CotN | All's Well that Ends well. | The Rim | 20170422 | FFG | Dust to Dust | Jupiter | 20170527 | FFG | The Old Man And the Ship | The Belt | 20170608 | FFG | Bump in the night. | Venus | 20170624 | FFG | Bump in the night. | Venus
Pretty much everyone in Sade's band has a suave/debonair factor 10x anything I could achieve.
The Subway (1950)
Government Bureau (1956)
The Waiting Room (1957)
Lunch (1964)
Teller (1967)
Waiting Room II (1982)
Corporate Decision (1983)
Tried this joke on the family and coworkers today, based on George Santayana's quote.
Short version: "Those who cannot remember the past are condemned to..."
Long version: "Progress, far from consisting in change, depends on retentiveness. When change is absolute there remains no being to improve and no direction is set for possible improvement: and when experience is not retained, as among savages, infancy is perpetual. Those who cannot remember the past are condemned to...".
Then your listener either derails the joke, or says, "repeat it". And you repeat the quote (fragment).
bes·ti·ar·y ˈbesCHÄ“ËŒerÄ“,ˈbÄ“sCHÄ“ËŒerÄ“/ noun a descriptive or anecdotal treatise on various real or mythical kinds of animals, especially a medieval work with a moralizing tone.
Praying for Time: These are the days of the empty hand Oh, you hold on to what you can And charity, charity is a coat you wear twice a year This is the year of the guilty man Your television takes a stand And you find that what was over there is over here
Waiting for that Day
Childhood memories
STAR WARS EP 1: Jedi Party
STAR WARS EP 2: The Friend Zone
STAR WARS EP 3: Revenge of Middle Management
STAR WARS EP 4: Laser Moon Awakens
STAR WARS EP 5: Attack of the Phantom Past
RIMMER: Uh, Kryten, take point. I've seen those movies. It's always the guy in the lead who buys it first. You take the front. KRYTEN: Well, if it's movies we're talking about, sir, in my experience it's usually the poor fellow who's bringing up the rear that gets picked off first, so the others aren't aware that they're under attack. RIMMER: You're right, you're right. Can you take the front and the back, so I can go in the middle? KRYTEN: I'll do my best, sir.